When the Walsh's move to the Elm Street, the teenager Jesse Walsh (Mark Patton) has a creepy nightmare with a burned man wearing a glove with blades called Freddy Krueger (Robert Englund) that tells him that Jesse has the body and he has the brain. Jesse becomes close to Lisa Webber (Kim Myers), who also has a crush on him, and befriends his school mate Ron Grady (Robert Rusler), who tells him that his house had remained closed for five years since the former dweller Nancy Thompson that went to a mental institution after witnessing the death of her boyfriend on the other side of the street and her mother in the living room. Lisa finds the diary of Nancy hidden in a locker while Jesse is possessed by Freddy Krueger that uses him to kill his victims.This sequel to the classic "A Nightmare on Elm Street" is underrated in IMDb. The story about possession is more romantic with the love of Lisa for Jesse, has plot holes but is also entertaining, with the use of great special effects. This movie is also the debut of Kim Myers, who has an impressive resemblance with Meryl Streep, in the cinema in a lead role. Again there is an open conclusion to give a sequel to the saga of Freddy Krueger. My vote is seven.Title (Brazil): "A Hora do Pesadelo 2 A Vingança de Freddy " ("The Hour of the Nightmare 2 The Revenge of Freddy")
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This quickly-made sequel to Wes Craven's hit horror film seems to be pretty much despised by fans of the series, although I am forced to disagree. Although the scripting and acting is below par, the movie is at least fast paced and never lets up during scenes of gory incident. Special effects from the reliable Kevin Yagher and some imaginatively disturbing fantasy sequences combine to make this an average but fun attempt at a mid '80s horror film, as dated as they come and with a strange, wild homosexual subtext running throughout. Witness the brutal death of the sadistic gay sports teacher who has his buttocks slapped before getting shredded under the steel fingers of Krueger, or Jesse's continuous girly screaming, for evidence of this. An interesting and unusual angle to an otherwise straight-forward horror flick.A lot of flak seems to be aimed at this film due to its decision to have Freddy killing people in real life and not just in their dreams. Watch carefully and you'll notice that this apparent error is actually explained at the beginning - Freddy uses Jesse's possessed body as a gateway to the real world and can therefore go on and do all he likes to conscious folk. Direction from Jack Sholder (THE HIDDEN) is quite capable and makes good use of dark, atmospheric sets. Sadly, the acting is fairly bad, but no more so than your typical teen slasher from the '80s, aside from Robert Englund who once again does a good job as the dream demon and still manages to be scary at times. Clu Gulager and Hope Lange turn up playing Jesse's parents for name value more than anything else, considering that their roles are fairly lightweight.The very basic plot is more of an excuse for a string of bizarre fantasies to be acted out and these act as the highlights of the movie. Things open with a literal bus ride into hell which is very spectacularly done, ending on a real cliff-hanger. From then on we get treated to such gory delights as a dozen bloody slashings, ants crawling in festering wounds, Freddy tearing open his skull to expose his brain, and in the sickening but fantastic highlight, a fully-grown Freddy emerging painfully from Jesse's body via his own stomach! The best bit of the film is undoubtedly a slaughter which takes place at a pool party and the final love-conquers-all confrontation is a bit of a let down by comparison. Watching swimmers burn, barbecues explode, and moronic teenagers slashed up is great fun, however. Hardly a classic movie, instead this is a one-watch novelty piece which will appeal to undemanding genre fans.
We return to Haddonfield one last time for the final* chapter in the Halloween saga. Folks, this film makes some choices, and we're here to dissect them all. No matter where you fall when it comes to the Halloween movies, and the David Gordon Green entries in particular, it's fair to say everybody was left collectively scratching their hands when the last movie of a trilogy not only introduced a brand new character with Corey Cunningham, but also made him the main focus while sideling Michael and Laurie. Where do you fall, fans? Do you appreciate this bold new direction, or is Corey the "Poochie" of the franchise? Do we love a Laurie that wants to show grief her tits? How do we feel about old man Michael nearly having a heart attack mid-stab? Mike s joined by Rachel, Nichole, Jessica and special guest Jenn Adams (The Loser's Club, Psychoanalysis: A Horror Therapy podcast) to bring this series to an end.
We put another franchise to bed with this week's look at 2022's "requel/retcon/reboot/continuation/whatever the new word is now" of Netflix's Texas Chainsaw Massacre. It's a spirited debate where we talk the politics of this movie, it's treatment of the franchise's signature final girl, protagonists that give Franklin a run for his money in the "so annoying please just kill the already" department, finally delivering on the promise of an actual chainsaw massacre and we have a very divided panel when we discuss the last scene of the movie, We're joined by special guest Sarah Stubbs of Geeks Who Eat & the Final Girls Feast podcast.
While the movie was never banned in the United States, it was involved in the arrest of the owners of a Cincinnati-based bookstore in 1994 after a police officer bought the movie as part of a questionable sting operation. The case was dismissed before a court could determine if the film violated obscenity laws, and it's doubtful the issue will ever be raised again; today, the movie is available in a high-definition transfer from the Criterion Collection.
Foley added that the usually censor-happy British authorities had raised no concerns with the movie, and said he found it startling that their counterparts in Australia were reacting differently. "It's been taken in the right context everywhere in the world except Australia," he added. 2ff7e9595c
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